The important dates for the VIRTUAL FESTIVAL are :
Friday 30th. October - complete your online ENTRY FORM on the SCBF website by this date.
Friday 30th. November - I need to receive your video/ film on a data stick by this date.
Saturday 12th. December - day 1 of the SCBF Virtual Festival screened live on the SCBF You Tube channel
Sunday 13th. December - day 2 of the SCBF Virtual Festival screened live on the SCBF You Tube channel
Entry fee for all classes will be £75.00
Programmes will be introduced by a SCBF compere as usual, and there will be a team of adjudicators who will deliver both a written and voice over adjudication. Awards will be announced at the various adjudication slots throughout each day.
Click here for SCBF dates
Click here to complete an entry form
Please check the weather in your area for your SCBF Festival.
Please take some time to use the following links to find out a bit more about SCBF.
Please see the ‘news‘ page for news on upcoming events.
Dunbartonshire Concert Band, conducted by Robert Baxter, perform Goddess of Fire by Steven Reineke at the National Finals of SCBF 2017.
South Lanarkshire Orchestral Society Senior Concert Band, conducted by James McAleenan, perform 'See Rock City' at the National Finals of SCBF 2017 at Perth Concert Hall.
The James Young High School Wind Band, conducted by Jennifer Kelly, perform 'Parade Of The Wooden Warriors' at the National Finals of SCBF 2017 at Perth Concert Hall.
I was invited to adjudicate at the Scottish Concert Band Festival Finals in Perth on Sunday by Nigel Durno who founded the event three years ago.
It was a beautiful day in Perth and the venue was quite excellent. The Perth Concert Hall has all the facilities anyone could want and it is staffed by helpful, experienced people who know exactly what they need to do to support an event like this one.
Before long the foyer was brimming with young players, full of enthusiasm and excitement. It was impossible to miss the buzz around this festival and I think much has to do with the attitude of the organisation and the enabling method of adjudication.
The adjudication procedure is prescriptive yet flexible with every musical director ending up with a clear and precise picture of how the grading was awarded. The adjudication sheets are worded in a positive and musical fashion with every word designed to encourage improvement and good practice.
Performances were very well attended by supporters and other bands with the two adjudications having a full house for the presentations.
On the whole I was impressed with the standard of playing, conducting, rehearsing and choice of repertoire. There were some outstanding solo performances and these were elligible for special awards and prizes.
This is a modern, forward thinking, evolving festival that I can see growing quite quickly as musicians see how beneficial it can be in developing their bands.
I enjoyed hearing all the groups, enjoyed the environment and the atmosphere but most of all the enthusiasm and energy of so many young players made the day seem very worth while and special.
Conductor of the Yorkshire Wind Orchestra, Nottingham Symphonic Wind Orchestra, National Saxophone Choir of Great Britain, Leeds College of Music Wind Ensemble, Phoenix Concert Band and Harlequin Brass Ensemble.